Volume 21 (1992)

Shakespeare, Milton, Dickens, and the Pious Fraud
EDWIN EIGNER

"Quoth the Raven": The Role of Grip in Barnaby Rudge 
JEROME H. BUCKLEY

Repressive and Expressive Forms: The Bodies of Comedy and Desire in Martin Chuzzlewit
ROBERT E.LOUGY

Dickens' Mr. Micawber and Mark Twain's Colonel Sellers: The Genesis of an American Comic
MALCOLM M. MARSDEN

Their Places are a Blank: The Two Narrators in Bleak House 
RICHARD T. GAUGHAN

The Grotesque and Urban Chaos in Bleak House
KAY HETHERLY WRIGHT

Doubles, Self-Attack, and Murderous Rage in Florence Dombey
RICHARD CURRIE

Large, Loose, Baggy Monsters and Little Dorrit
H.M. DALESKI

Repetitions During Pip's Closure
ROBERT A. STEIN

Dating the Action in Great Expectations: A New Chronology
JEROME MECKIER

Constructing the "Literate Woman": Nineteenth-Century Reviews and Emerging Literacies
MARGARET L. SHAW

Robinson Crusoe and Friday in Victorian Britain: "Discipline," "Dialogue," and Collins's Critique of Empire in The Moonstone
LILLIAN NAYDER

Sentiment, the Highest Attribute of Art: The Socio-Poetics of Feeling
JULIE F. CODELL

The Year in Dickens Studies: 1990
CHRIS R. VANDEN BOSSCHE

Trollope Review Essay
NANCY AYCOCK METZ

Index
Contents of Previous Volumes